The Fiftieth Person

Once, while preparing to speak at a recovery event, I wrote something like, “Open my heart, and then open my mouth. Let me look like a fool to forty-nine people if it will help the fiftieth person.”

Do I have the courage to apply that idea to poetry as well?

In a couple of days I’m going to read a few pieces of poetry at a recovery event. The audience will be very different from the ones I have faced before–for the first time,  I’ll be reading poetry to an audience of people who may have come for other things and have no interest in the poetry part of the show.  I’m experiencing a much higher level of public speaking anxiety than what is normal for me. I’m trying to revamp some poems into a format that I think is “cooler” or more likely to go over well–and the revamping is at a complete stall.

Not too surprising, I suppose. While my self-care has had some improvements lately, I have been very blocked when it comes to writing. The reasons are both repetitive and unoriginal, but there it is.

At any rate, past experiences give me faith that when the time comes, I will step onto the stage and manage to read. Past experiences assure me that this will happen, and the world will not come to an end. I just have to show up.

Burning

I am rediscovering my rage toward addiction.

I anthropomorphize the general phenomenon of addiction; many of us do. Especially as we struggle with abstaining, it can be helpful. You want to resent something? Resent that. You need somewhere to direct your rage, your hatred, your frustration? Hate the thing that wants you dead; that wants us dead. Hate the thing that wants to eat your soul and replace it with its eternal craving.

It’s not that we deny our responsibility for our situation or our duty to keep fighting. But in the midst of the humility we need to seek and find, sometimes we need to rebel. So yes, I welcome the rage and the rebellion sometimes.

I recently spent time in the hospital with an addict who has been on dialysis for years and has now just had open heart surgery. Still on methadone, she has the accompanying high tolerance for pain meds. I listened to her repeated begging for more medication as the pain resisted treatment. I watched her be in the power of nurses–some kind, some not–who questioned the validity of every request.

I watched her frail body curling in on itself, like a leaf curling and withering in a flame. I could almost see addiction as the fire in which she burned.

And I hated that fire.

Too Little, Too Late

The phrase haunts me. Whenever I find a lump where a lump shouldn’t be, or even have a twinge of pain in an unfamiliar place, the fear comes up. I’m turning into a hypochondriac, and I don’t like it.

It’s not just that I am afraid of dying, although I am. It’s that part of me is still waiting for a judgment from the universe–a judgment saying I’ve had enough second chances. A judgment saying my current efforts are too little, too late.

I recently spent time with a fellow addict who is on dialysis. For three years, she tried to quit smoking in order to get on the list for a kidney transplant and could not do it. She finally succeeded—two months before a heart complication showed up and derailed the whole process. Too little, too late.

My blood sugars are lower than they’ve been in a long time–but with every exam I fear the onset of some complication born during the less controlled times. My weight is improving slowly from the place it reached last year–but with every sore knee or backache I fear that I’ll never dance again.

It all feeds into the roar from the ever-present peanut gallery that observes my efforts at writing: You’re too old! It’s too late! There’s not enough time left to accomplish anything that is worth doing!

Isolation

We use the word as a verb often these days. I’m isolating a lot. She started isolating. He tends to isolate when he gets depressed.

Isolating is different from just being an introvert or enjoying solitude. Isolating is ducking phone calls, declining invitations when we do get them, shunning gatherings or meetings we used to attend.

We do it because of depression, or shame, or pain and fatigue. We do it because we are too tired to face the dreaded question “How are you?”

Then we keep doing it because we feel guilty about having done it for a while. Guilty about the phone calls we ducked and the meetings we skipped. Overwhelmed at the thought of trying to explain why we flaked out on interactions when we don’t really understand how it works ourselves–or, if we do understand it well, we may have also learned that understanding it doesn’t make it any easier to explain.

It’s dangerous for us. It can make depression worse. If we are in recovery from an addiction, it increases our chance of relapse. It’s bad for our physical health and narrows our world in a way that can let our negative thoughts and traits begin to dominate.

So how do we stop doing it? How do stop doing it?

One thing that’s really hard for me to accept, even after years of work, is that my mental health issues may always manifest in cycles of mood and ability to interact. For me, the struggle is about harm reduction and trying to reduce the shame and fear that extend a cycle of isolation past its natural life span.

And when I find a foolproof way of doing that, I’ll be sure to let you know.

The Parable of the Cursed Axe

(Originally posted on my old site Not This Song, 2015)

So there I was, one warm summer day, sitting at a table in the lounge of the neighborhood counseling center. Beside me lay a stack of paperwork I should have been working on between sessions, and in front of me was my tiny, ancient laptop computer. “How’s it going?” one of my fellow counselors asked, walking in with their own stack of paraphernalia. “Terrible,” I replied. “I’m surrounded by a large band of orcs and I’m wielding a minus-20 cursed axe.”

I got an odd look, can’t imagine why.

The really old version of Nethack I was playing was, at the time, one of my favorite relaxations. One of the simplest of dungeon crawlers, with all rooms, objects and monsters made only of characters available on a common keyboard, it was a game requiring lots of imagination. I was an @ sign, monsters were mostly letters, objects were punctuation, etcetera.

I started playing it in college, and I guess I have a pretty good imagination because I was really into it. The rules, and the random nature of the dungeons, sometimes allowed odd things to happen. For example, there were “stores” where you could buy weapons and potions, but you’d better not steal or the shopkeeper, written to be amazingly strong, would kill you. But, if you had a scroll of teleportation, you could load up with goodies and escape.

Anyway, my situation with the orcs that day was the weirdest one I ever got into. Here’s how it happened (because I am sure you’re dying to know, given that you can sense a metaphor coming afterward.) My character had survived and prospered long enough to have excellent armor, strength and regenerative abilities, but I was only wielding a lowly dagger. So I was pleased when I found an axe, and picked it up.

Now, it’s wise to be cautious of weapons one finds in this game, because some of them are cursed. But I didn’t have a scroll of identify to show me the exact characteristics of this axe, and I was impatient, so I typed in the command to wield the weapon. Descending the stairs to the left dungeon level, I found myself surrounded by the letter O. Orcs. They were all around me, and it was impossible to move. There was nothing to do but fight them.

Now, orcs are not all that strong in this game, which is why they exist in such large groups. So I was surprised when my attacks on the first orc seemed ineffective. Maybe I would be better off with my dagger after all. Trying to switch, I saw the dreaded message “You can’t. It appears to be cursed.” A cursed weapon can’t be dropped, and since only one weapon can be wielded at a time, my dagger or anything else was now unavailable to me.

Checking my inventory, I saw that my cursed axe was rated minus-2, which explained its ineptitude. With no scroll of remove curse handy, I had no choice but to keep hacking away as best I could. Then the letter R appeared. Are you kidding me? A rust monster, now? With every hit, a rust monster makes your weapons or armor less effective. My minus-two axe became minus-three. Minus-five, seven…minus-twenty by the time it stopped. I was now fighting the undiminished pack of orcs with what amounted to a shapeless hunk of rusty iron too heavy to lift. But I could not put it down.

Yes, wielding a cursed weapon sucks. But we’ve all done it, haven’t we?

Haven’t we all had a response, or a coping mechanism, that is ineffective at best and destructive at worst, but we just can’t put it down? One that seems to have become intertwined with our psyche so much that we can’t detach it?

Yes, addictive behaviors are one clear example, and my mind certainly goes there as expected. Having begun to use them, some of us can’t put them down even when they put us in an obvious no-win situation. We swing them helplessly at the problems around us, no longer able to pick up or use a healthier method even if we know of one, unable to accept the fact that our old weapon isn’t working any more, hasn’t been working for a while, and isn’t going to start working again.

But addiction isn’t the only fertile ground for this metaphor–none of us are without our cursed weapons, and these weapons sometimes became part of our arsenal when we were very young. If we learned to avoid feelings or situations, avoidance can become our default response and be very difficult to change. If we learned angry confrontation as the go-to reaction to protect ourselves, it becomes our cursed weapon too. If we learned to please people and try to placate them, we find out how such a pattern can deplete our self-esteem and personal development.

As often happens, I’m bashing ineptly at the orc pack of despair and worry that seems to be pressing in on me, unwilling and unready to admit that I am not doing damage to anything but myself. Feeling powerless to stop the pattern, and not being hopeful that a more powerful weapon is available to me right now.

I know my general fears and anxieties are lying to me! I know there’s power I can use. I know! I’ve seen it, I’ve felt it, I wouldn’t be here without the Thing, whatever it is, and it can help me if I let it.

Whatever you are, help me drop the cursed ax. I’m asking now. Help me lose my fear of the orcs long enough to look at the dungeon floor around me and see that there are scrolls there, including a magic scroll of remove curse. Of grace.

Starburst

I now have THREE poems stuck in pre-draft limbo. One has been there for two days, one for two weeks, and one for at least a month. What is this thing in me that will not give me permission to sit down and hammer out a first draft?

Well, besides mental health issues and a lifetime of experience at self-sabotage.

In desperation, I did a starburst on one of them. It looked like this:

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The starburst is a brainstorming technique. You put a single image or word in the middle and start drawing associations; some will be important and some not.

My image for this poem has been clear from the beginning: a glass mug of hot water with a chamomile tea bag in it. Pale brown-gold threads are drifting out into the water as the tea starts to be absorbed.

The image, like many of those a poet chooses, is a tool for crystallizing a moment and the thoughts and feelings that went with it. The starburst helps me elucidate some of those.

I’d like to say that the starburst promptly galvanized me into action–well, not yet. But I know I’m closer, both because of such things and from having coffee with a fellow poet yesterday.

Fear Not?

I chose today’s piece because fear has been clamping down on my creativity lately. Just like any other emotional state, fear comes in both useful and useless varieties when it comes to writing–with the useless kind, my brain freezes or flees into escapist behaviors. So…

(Originally posted on my old page Not This Song, 2015)

How much does fear rule your life?

Those who do some kind of deep self-examination are often surprised to see how deeply, widely, and diversely fear is imbedded in their psyche. I don’t think I was surprised to find its presence in some deep places, but it was enlightening to see how much of my daily behavior is fueled by it on some level.

It’s hard to admit how afraid I am. It’s easy to buy into the idea of courage and strength being incompatible with the presence of great fear. It’s easy to forget how different we are from one another sometimes; that something only mildly frightening to one person may be a source of utter terror to someone else.

There’s an old story about two soldiers in a trench during World War I, waiting through the tense hours before a charge. One sits calmly, while the other paces incessantly, chain-smoking and talking nonstop. The calm one makes a disparaging remark about his nervous comrade, and the other replies: “My friend, if you were as afraid as I am, you would have run away a long time ago.”

I am afraid the way that soldier is. Too afraid to pretend not to be, too afraid to carry things off with style. I need to comfort myself with stories like this, becasue when I scratch the surface of my skin hard enough to penetrate the thin layers of maturity and faith I find a sea of fear. I think I need a hundred words for the many different varieties of fear, with their subtle shadings of meaning and manifestation.

If you’ve ever been afraid the way I am, you know that it doesn’t respond to logic. Oh, some fears do, or they can be soothed with emotional support, or by questioning them with cognitive-behavioral techniques. But there are kinds of fear so primitive, so nonverbal, so far beyond any mental construct that our attempts to soothe them feel like trying to send a T-rex to therapy.

One kind is what psychologists call “annihilation anxiety.” It’s what it sounds like: fear of utter destruction, unmaking, nothingness. Its roots lie very early in life–in the stage of complete dependence of an adult figure and the terror that losing said figure’s love would mean destruction–and it’s nonverbal and primal enough that sometimes I don’t even realize it’s come up until I’ve been reacting to it for days.

Primal fear comes up in our old baggage and in new baggage that got influenced by the old. It’s what is operating when we do things in our relationships that just don’t make sense; when our therapist and friends and whoever have a clear, obvious idea what should be done, who should be confronted, who should be left, but the thought of actually doing it is–well–unthinkable.

What to do about it? Oh, you already know what I’m going to say. There is no swift and logical cure for this kind of fear. There’s no cure at all–only the chance to go into remission. To fight the fear to a standstill and wait for it to get tired and take a break. But how to fight something you can’t see, or speak to, or argue with? Can a sword cut darkness?

No, it can’t. Nor can clever words convince it to retreat. There are only two things I can do: first, stop acting out in a futile attempt to drown the fear under more familiar pain. Then huddle close to the fire. Feed the fire, watch the fire, and don’t let it go out, and try not to think too hard about what will happen if it does. Feed the fire of my Self; yes, and the Self, whatever mystic force that is. Everything I am that is not nothingness. Everything I am, and was, and will be, that is the opposite of nothingness.