Poetry to the Rescue

Last post, I wrote about being flooded with old memories as a result of nonfiction pieces I am writing. Fortunately, I know one remedy to feeling overwhelmed by a project: Write on something different for a bit. It won’t fix everything, but it helps.

So I took advantage of a little writers’ gathering to focus solely on writing poetry; specifically, the kind of writing that strives to be uninhibited and often leads to brand new drafts of something. Very raw drafts, but a thing exists that did not exist before.

A short project to rest from a long-term project. A project done for simple joy of creativity instead of the more purpose-driven work. And two brand new poems, hurray!

A change, a breath, an infusion of fresh energy. Checking in with the poetry part of myself that has felt a bit neglected for the past month or so.

I don’t know what the difference between a writer and a poet is. Maybe there really is none. But my psyche relates differently to what I think of as my poetry from the way  it does to my prose. Both are vital; neither appreciate neglect.

There’s more work for me to do. I still feel shaky and vulnerable and craving. But I did one positive thing, used one positive coping mechanism. Go me.

Flooded

How do we know when we’re writing too much?

It’s tempting to think they’re’s no such thing as too much. Maybe that’s true for some people, especially if the things they write cover a variety of styles and subject matter.

But this week, I’m conscious that I may be writing too much of a project too quickly. My nonfiction project contains many memoir-style pieces for the purposes of outreach, and I am working on some that cover a very dark time in my life.

My task is to convey, at different times, an authentic tone of what it’s like to be a practicing addict, to take doses of drugs you know might kill you and not care as long as you get high, to be deep in clinical depression or overwhelming anxiety, to be suicidal, to be convinced that suicide is the best thing you can do for those you love, to know that you have lost and drugs have won, to plan your own disappearance and death, to know that you deserve nothing better…

My task is to write it so well that an addict or a mental illness sufferer will identify strongly, while someone not familiar with the feelings will have a window opened to a bit of understanding.

Strong feedback I’m getting tells me I am at least partially succeeding in this. But there’s a cost: I’m writing it authentically enough to affect myself as well.

Floods of old emotions, ones that are always there but more in the background, wash over me. Old grief, guilt, and shame come up often. The otherworldly loneliness of that time echoes.

Too much of this is dangerous to my current mental health. I’m noticing hits to my self-care and changes in how I relate to my family.

These things need to be written…but I need to pace myself.

Eight Days

This morning, I had thirty-five days to get ready for the feature I’m doing. Now I have eight.

Long story, but due to some unavoidable circumstances I’ve just been asked to feature on October 12 instead of November 9 as originally scheduled. So now I have eight days. The chapbook I was going to make for the reading doesn’t exist, unless I want to do a quick and dirty job within a week. While working on a couple of special poems I really wanted to have ready.

The little kid in me is throwing a tiny tantrum because she wanted everything to be perfect. It’s only the second actual feature I’ve ever done, so the novelty has not worn off.   I really want to be amazing, and I need to understand that’s not how all of this works.

It’s not. If I bring my desire for everything to be perfect and impressive, I’ll be distracted from being authentic.

My Book is a Bastard

So what are these projects that have been sucking up my writing spoons? Well, as far as poetry is concerned, I am trying to put together a chapbook for a feature I am doing in November. It will be the first time I offer written poems for people to take home. It’s just a low end thing, but I have to go through the horror of figuring out which poems to put in it.

The other one, the really new one, is my nonfiction book. I have always had a vague idea of using the essays I’ve written for the last five years as raw material for something, but recently I’ve hammered out much more of a plan and begun writing pieces that are targeted specifically for that.

This book is a bastard. A hybrid. A mutant.

Why?

Because it doesn’t fit into an easy category, like memoir or inspiration or self-help. I don’t want it to be just another “here’s the story of some shit that I survived” memoir–but there will be memoir pieces in it designed to help a reader identify or get a perspective on eating disorders, addiction and mental illness. It’s not a “here’s what to do to change your life for the better” book–but it will contain some ideas of things that might be worth trying, or tips on finding your own ways. It’s not a psychology book–but part of what makes it a bit different will be the experience of going through some of this stuff as a person who already had a clinical background, and where knowledge is and isn’t helpful. It’s not a “spiritual inspiration” book–but will certainly contain some metaphysical thoughts on why not to give up.

From a marketing perspective, some might say I’d be well advised to change it to fit a category, because bastards are hard to market. But I don’t think I can do that; I need the outreach element to be there. We’ll see. It’s all so embryonic that the most important thing to do at this point is to keep writing.

Something New

Six years of essays, three years of poetry…and now adding something completely different.

My essays have always been personal, but in response to some feedback from fellow writers that saw a few of them I’ve been experimenting with longer pieces of more intimate and detailed memoir. These would ultimately form part of my pet long-term nonfiction book project.

I’ve gotten very good response on them so far, but it is a new kind of writing for me with a new quality of emotional experience. I need to be careful not to get overwhelmed.

I also don’t want to neglect my poetry (haven’t so far) or posting here on this site (which I definitely have.)

I have this idea that I’ll challenge myself to post every day for the coming month of October–but, knowing me, there’s a certain probability of that being bullshit. I want to post a lot, though, because there are interesting things happening with my creative life and its interaction with my health and sanity.

The Eye Roll

Part of living with bipolar disorder is encountering the Eye Roll from loved ones.

The Eye Roll goes like this: I, currently in an “up” state of mild or moderate hypomania, gush about all of the new things I have decided to do. Classes I have decided to take, new languages I have decided to learn, writing projects I have just decided are awesome and should receive devotion, exercise programs I have decided to start…you get the idea.

These bursts of dedication can happen to anyone; certainly we have all had the experience of starting and abandoning new projects. However, with hypomania they are ALL trying to happen at once. In a single week or less I experience–and babble to my family at length about–all of the above and more.

So the Eye Roll is a normal reaction developed over years, in someone who has watched me start so many new projects only for them to disappear during my next depressive phase (and often, rather than reappear during my next up period, be replaced by my NEW set of great ideas.)

My loved ones want to encourage me in taking actions. They’d rather see me engaged than depressed, so they try not to make the Eye Roll obvious. Nevertheless, it is felt and I have enough self-knowledge to respect it.

The spirit behind it has helped me put some cautions into practice. If an idea or desire recurs over months, during a series of up phases, it may be worth following up. However, if it is brand new, it’s not an idea I should spend significant money on or make any life-altering decisions about.

A little money, well, that might be okay. Buying a new wall calendar to lay out plans, or downloading an app, is no big deal. But it’s NOT the time to buy a treadmill, spend hundreds of dollars on a class, or get a tattoo. I need to wait and see if my wonderful new idea has legs or not.

Useful

How do I maximize my usefulness to others? How do I assess my strengths and weaknesses honestly and make good choices about how hard I should push myself at any given time? How do I repeat this assessment frequently and deal with the self-doubt that tries to make me push myself too hard out of guilt or shame? How do I resist the impulse to apologize constantly for what I am doing and the fact that it’s not enough?

I’ve written on this theme before. I’m sure I will write about it at intervals for the rest of my life. Two years ago I wrote this, in fact:

“I don’t want to live my life as a walking apology, but I also don’t want to become the kind of person who sees no need for regrets about how my condition and/or my shortcomings affect others.

Where is the line; where does a realistic assessment of my condition end and making excuses begin?

Could I be allowed to stop making promises, or even implied promises, that set me up for the inevitable apologies?

There’s no way for anyone else to assess, or even for me to assess reliably, the subjective amount of effort I’m making. So how can I, when unable to perform consistently, express that the thing, principle or person is still important?

Can I ever be good enough, do enough, love enough to have it mean something?”

Looking that up was interesting because it really made my point: This theme recurs. It recurs because the question is always relevant in a world that needs us to do our best. It’s not going to stop recurring, and I need to meet it with honesty and humility whenever it arrives.