The Best Thing I Ever Write

Periodically, I need to remind myself why I am writing. It’s not to get my ego stroked. It’s not for the high I get when performing. It’s not for the thrill of getting published. Those things are all gravy, and it’s easy for me to get drawn in to this exciting subculture and try to do too much. When I do that, it’s easy for me to start judging myself for not having the energy to go to nearly as many events as a lot of poets seem to do.

I am writing because the very best thing I ever write might help someone someday. That’s what started it, and that’s the core to which I return. I want there to come a time, in the dark watches of some wakeful night, when someone picks up something I wrote and it helps them get through until morning.

I will never know what the best thing I ever write is. It might not be what I expect. It might make someone feel less alone, or it might cause them to feel more accepting of some darkness within themselves. It might carry a metaphor that helps someone create their own personal metaphor as a talisman. It might be a piece that I don’t even rate very highly among my body of work.

Returning to this basic idea is even more important as I begin to consider pulling my prose together and morphing it into a longer project. Changes in style and a thousand different ideas about voice and structure try to distract me, but I must not let them.

Discomfort Zone

When I grow, it’s because I did things beyond my comfort zone. Granted, there are times my comfort zone is smaller than my own skull, but whatever it was at the time, I made conscious efforts to leave it. In everyday living, in social interaction, and especially in writing, I try to push the edges and perhaps push them a little further next time. And, naturally, I dance with the questions of whether it’s wise to push a certain edge at a certain time.

It isn’t productive for me to push in ways that will render me nonfunctional for days. It’s productive for me to push just enough for discomfort, just enough to require some courage. Enough to have consequences in my thoughts and emotions for days or weeks, but have them be consequences that I can manage without being propelled into a serious dip that will make me useless.

I’ve been sharing poetry with others for two years now, and I recently began to share prose for the first time. My essays on my blogs, theoretically, have been shared for years, but never critiqued by other writers or otherwise given feedback. That’s the new thing I did this week, and it was a very different experience from sharing poetry.

One piece of feedback I got is that people wanted more personal detail in some of the pieces. They encouraged me to depart a bit from the conversational style of these essays and branch out into a more personal viewpoint. So this week, I’m writing a piece that focuses more on describing an experience and isn’t about outreach per se.

It’s hard. It brings back the memory in a more visceral way, without the intellectual and the clinical to soften the edges. Even without that discomfort, it’s just different. For the millionth time, I’m the new kid at school.

Time To Pay the Piper

Well, it is starting. My “up phase” is transitioning to the not-so-fun part of the process. The energy that sparked through me, that last week required caution to manage, is now turning to anxiety. I can almost feel it–it’s like listening to an engine rev and then suddenly hearing a grinding, clanking sound. Energy is now stuck and fouled up in the gears of my brain instead of passing through. It’s overflowing into my body, making it hard to breathe deeply or sit still.

Bipolar II, like its more acute cousin Bipolar I, is classified as a mood disorder. However, sometimes it makes sense in my own experience to think of it more as an energy disorder. Some more philosophical types even compare it to kundalini energies and such–whatever it is, the brain is taking in and/or processing some type of energy a different way. Mood changes are either a result or a parallel process. Not that other issues don’t relate to energy as well–one reason those who deal with depression suffer so much frustration when given advice that is only mood-based. 

At any rate, I feel it and I know from experience what will come. “But wait,” I can hear the next self-appointed free-lance psychiatric counselor I meet say, “Aren’t you being negative expecting bad things like this? What about the power of positive thinking? You’re creating defeat for yourself.”

To which I reply, take your chemically balanced brain and go…well, to put it politely, just go away.

Understanding my patterns and making “weather predictions” based on past observations is NOT defeatism or negative thinking. It does not exclude the presence of grace, the opportunity to make progress in handling whatever happens, or the power of hope. It’s a tool like any other. It’s hiking through mountains and canyons with my eyes open instead of being blindfolded and experiencing terror with every drop.

The Eye Roll

Part of living with bipolar disorder is encountering the Eye Roll from loved ones.

The Eye Roll goes like this: I, currently in an “up” state of mild or moderate hypomania, gush about all of the new things I have decided to do. Classes I have decided to take, new languages I have decided to learn, writing projects I have just decided are awesome and should receive devotion, exercise programs I have decided to start…you get the idea.

These bursts of dedication can happen to anyone; certainly we have all had the experience of starting and abandoning new projects. However, with hypomania they are ALL trying to happen at once. In a single week or less I experience–and babble to my family at length about–all of the above and more.

So the Eye Roll is a normal reaction developed over years, in someone who has watched me start so many new projects only for them to disappear during my next depressive phase (and often, rather than reappear during my next up period, be replaced by my NEW set of great ideas.)

My loved ones want to encourage me in taking actions. They’d rather see me engaged than depressed, so they try not to make the Eye Roll obvious. Nevertheless, it is felt and I have enough self-knowledge to respect it.

The spirit behind it has helped me put some cautions into practice. If an idea or desire recurs over months, during a series of up phases, it may be worth following up. However, if it is brand new, it’s not an idea I should spend significant money on or make any life-altering decisions about.

A little money, well, that might be okay. Buying a new wall calendar to lay out plans, or downloading an app, is no big deal. But it’s NOT the time to buy a treadmill, spend hundreds of dollars on a class, or get a tattoo. I need to wait and see if my wonderful new idea has legs or not.

Useful

How do I maximize my usefulness to others? How do I assess my strengths and weaknesses honestly and make good choices about how hard I should push myself at any given time? How do I repeat this assessment frequently and deal with the self-doubt that tries to make me push myself too hard out of guilt or shame? How do I resist the impulse to apologize constantly for what I am doing and the fact that it’s not enough?

I’ve written on this theme before. I’m sure I will write about it at intervals for the rest of my life. Two years ago I wrote this, in fact:

“I don’t want to live my life as a walking apology, but I also don’t want to become the kind of person who sees no need for regrets about how my condition and/or my shortcomings affect others.

Where is the line; where does a realistic assessment of my condition end and making excuses begin?

Could I be allowed to stop making promises, or even implied promises, that set me up for the inevitable apologies?

There’s no way for anyone else to assess, or even for me to assess reliably, the subjective amount of effort I’m making. So how can I, when unable to perform consistently, express that the thing, principle or person is still important?

Can I ever be good enough, do enough, love enough to have it mean something?”

Looking that up was interesting because it really made my point: This theme recurs. It recurs because the question is always relevant in a world that needs us to do our best. It’s not going to stop recurring, and I need to meet it with honesty and humility whenever it arrives.

Sweet Rejection

I got a rejection email this morning from an online journal. I’d sent them three poems and the editor is “sorry they will not be able to use them.” Oh, sweet rejection.

Why do I call this sweet? It’s simple. Getting a rejection letter means that I TRIED. I went through the footwork and submitted something. I put something out there.

I’ve been trying to get more comfortable using Submittable, the most popular submission software used by magazines’ websites. I’ve been trying to compile a more current list of publications I would like to explore. I’ve been trying to reach out on social media to more of the poets I have met at readings.

Doing something, no matter how small, in the category of advancing my writing gives me a welcome sense of accomplishment. Insecure as I am, I can say honestly say it doesn’t matter that this particular editor didn’t want them.

On Display

I can’t describe how hard it was to start sharing my poetry with others a couple of years ago. It has become easier and far more enjoyable with experience, but there are still times when stepping up to that mic or podium feels like opening the book of myself and inviting hordes of savage critics to have a go.

Now I get to take another step out of my comfort zone, thanks to a gallery show that accepted one of my poems. One or more artists did a piece about it, and my poem will be on the wall of the gallery with the pieces for nearly a month. On display. With my name on it. When I go to a gallery reception tomorrow, I’ll be introducing myself to people as my name and work are displayed on the wall.

This is such an honor (and it’s interesting to note how much I have been minimizing it when I talk about it to others, emphasizing that it’s a small show, etc.) While I work on overcoming my inertia and submitting more writing to publications, I get to have the experience of standing by my work in public.

It’s excruciating to have that one piece be the representation of me as a poet. It’s like sweating over which poem to read at an open mic, times a hundred.

It’s a wonderful problem to have.