Last post, I wrote about being flooded with old memories as a result of nonfiction pieces I am writing. Fortunately, I know one remedy to feeling overwhelmed by a project: Write on something different for a bit. It won’t fix everything, but it helps.
So I took advantage of a little writers’ gathering to focus solely on writing poetry; specifically, the kind of writing that strives to be uninhibited and often leads to brand new drafts of something. Very raw drafts, but a thing exists that did not exist before.
A short project to rest from a long-term project. A project done for simple joy of creativity instead of the more purpose-driven work. And two brand new poems, hurray!
A change, a breath, an infusion of fresh energy. Checking in with the poetry part of myself that has felt a bit neglected for the past month or so.
I don’t know what the difference between a writer and a poet is. Maybe there really is none. But my psyche relates differently to what I think of as my poetry from the way it does to my prose. Both are vital; neither appreciate neglect.
There’s more work for me to do. I still feel shaky and vulnerable and craving. But I did one positive thing, used one positive coping mechanism. Go me.
Readers who don’t live in California may still already know this, but just in case–we’re on fire. Worse than ever before. Hundreds are dead and more hundreds missing. Ash and smoke have rendered the air bad enough to close schools and other things; masks are being worn for hundreds of square miles.
What do poets do at a time like this? We write, of course. We write about what’s going on–and sometimes, for our own survival, we go on writing about other things too.
Or we write about what’s going on, but indirectly. We write things that come from ourselves after we strain current events through the cloth of our psyche. Odd inspirations that come to us, or characters inspired by people we met or heard about.
I had an experience like this a couple of nights ago when I read a wildfire-related poem at an open mic. It was a strange one–for some reason, what came from my psyche was a poem about visiting a friend in the psych ward while the fires were burning, and about the way his mental illness was severe enough to cut him off from being able to feel or care about them.
But strange can be good sometimes–as I know I’ve said before, writing about the same basic things from a million perspectives is what poets do, because you never know which angle will touch somebody.
As you know, I am relatively new to the concept of showing my writing (especially prose) to people who actually express opinions about it face to face. It’s scary and empowering at the same time, it motivates me to complete writing goals, and it gets me excited about future projects.
Sometimes it does something even more important: when I share a piece with others, their response shows me positive things about it I didn’t see. I come away realizing it’s a better piece than I thought it was; that I’d blinded myself to some of its merit because of insecurity or lack of perspective.
Yesterday I brought another of my memoir-style prose pieces to the writing circle. I had struggled with this one; the kind of struggle where you sit, stare, type a sentence, stare, erase the sentence, repeat ad nauseam. I thought the completed chunk was not bad, but perhaps not up to the standards of some of my others.
They fucking loved it. One said it was their favorite so far. Okay….
So why didn’t I like it that much? And who is right? Ultimately, I have to be the final arbiter, because I’m the one who stands by the words and claims them as mine. But it’s good for me to give it a chance, to see if other perspectives help me warm up to something.
For the first time, I have exchanged poems I wrote for money. What a trip.
When I was the featured poet at a reading on Friday night, I brought copies of my first chapbook with me. Chapbooks are simple, low-budget productions, usually containing between 10 and 15 poems. I didn’t think I would get it done in time, because my date for the reading had been moved up, but with the help of my spouse I did.
I was looking forward to the feature, and determined to focus on enjoying myself at the mic and not worry about whether anyone would want a copy. Realistically, I expected to sell 5 or less to the modestly sized audience. I sold ten, so I’m very happy.
Anyone who’s been reading this blog, or my old one, knows that me writing and then beginning to join the writing community has been quite a process of change. You might have read an entry two years ago describing my first attendance at a poetry open mic. or my first submissions.
So if you write, and long to develop your writing more, I hope you will take encouragement from the things I share. I’m a messed up person, but I took one step at a time and I did these things. I think you can too.
This morning, I had thirty-five days to get ready for the feature I’m doing. Now I have eight.
Long story, but due to some unavoidable circumstances I’ve just been asked to feature on October 12 instead of November 9 as originally scheduled. So now I have eight days. The chapbook I was going to make for the reading doesn’t exist, unless I want to do a quick and dirty job within a week. While working on a couple of special poems I really wanted to have ready.
The little kid in me is throwing a tiny tantrum because she wanted everything to be perfect. It’s only the second actual feature I’ve ever done, so the novelty has not worn off. I really want to be amazing, and I need to understand that’s not how all of this works.
It’s not. If I bring my desire for everything to be perfect and impressive, I’ll be distracted from being authentic.
So what are these projects that have been sucking up my writing spoons? Well, as far as poetry is concerned, I am trying to put together a chapbook for a feature I am doing in November. It will be the first time I offer written poems for people to take home. It’s just a low end thing, but I have to go through the horror of figuring out which poems to put in it.
The other one, the really new one, is my nonfiction book. I have always had a vague idea of using the essays I’ve written for the last five years as raw material for something, but recently I’ve hammered out much more of a plan and begun writing pieces that are targeted specifically for that.
This book is a bastard. A hybrid. A mutant.
Because it doesn’t fit into an easy category, like memoir or inspiration or self-help. I don’t want it to be just another “here’s the story of some shit that I survived” memoir–but there will be memoir pieces in it designed to help a reader identify or get a perspective on eating disorders, addiction and mental illness. It’s not a “here’s what to do to change your life for the better” book–but it will contain some ideas of things that might be worth trying, or tips on finding your own ways. It’s not a psychology book–but part of what makes it a bit different will be the experience of going through some of this stuff as a person who already had a clinical background, and where knowledge is and isn’t helpful. It’s not a “spiritual inspiration” book–but will certainly contain some metaphysical thoughts on why not to give up.
From a marketing perspective, some might say I’d be well advised to change it to fit a category, because bastards are hard to market. But I don’t think I can do that; I need the outreach element to be there. We’ll see. It’s all so embryonic that the most important thing to do at this point is to keep writing.