I’m finally feeling creative again after a days-long crash following my exciting reading. Creative–but wildly unfocused.
My brain is trying to think of the following things simultaneously:
- The status of my fellowship application to a writers’ community
- What to enter in a Bay Area poetry contest coming up
- Plans for compiling my first full-length poetry manuscript, and whether I could get it together in time to submit to a certain press by their annual deadline
- Which memoir-style piece to tackle next for my nonfiction project
- Two different ideas brought up recently for collaborative pieces with poets I know
- Bits and pieces from pretty much all of my old poems, thanks to recent work of pasting them into a new format
- Submission to a women’s magazine whose reading period just began
- A community chapbook I have been thinking of getting together and whether I should go ahead and send out calls for submissions.
And…Hamilton lyrics, which are awesome poetry but an immense distraction when they keep popping up during any of the above.
For the first time, I have exchanged poems I wrote for money. What a trip.
When I was the featured poet at a reading on Friday night, I brought copies of my first chapbook with me. Chapbooks are simple, low-budget productions, usually containing between 10 and 15 poems. I didn’t think I would get it done in time, because my date for the reading had been moved up, but with the help of my spouse I did.
I was looking forward to the feature, and determined to focus on enjoying myself at the mic and not worry about whether anyone would want a copy. Realistically, I expected to sell 5 or less to the modestly sized audience. I sold ten, so I’m very happy.
Anyone who’s been reading this blog, or my old one, knows that me writing and then beginning to join the writing community has been quite a process of change. You might have read an entry two years ago describing my first attendance at a poetry open mic. or my first submissions.
So if you write, and long to develop your writing more, I hope you will take encouragement from the things I share. I’m a messed up person, but I took one step at a time and I did these things. I think you can too.
This morning, I had thirty-five days to get ready for the feature I’m doing. Now I have eight.
Long story, but due to some unavoidable circumstances I’ve just been asked to feature on October 12 instead of November 9 as originally scheduled. So now I have eight days. The chapbook I was going to make for the reading doesn’t exist, unless I want to do a quick and dirty job within a week. While working on a couple of special poems I really wanted to have ready.
The little kid in me is throwing a tiny tantrum because she wanted everything to be perfect. It’s only the second actual feature I’ve ever done, so the novelty has not worn off. I really want to be amazing, and I need to understand that’s not how all of this works.
It’s not. If I bring my desire for everything to be perfect and impressive, I’ll be distracted from being authentic.
Sometimes it’s good to get greedy.
I’m currently working on applications for no less than three different “if you win you will get some writing-related experience for free” scholarship contests for writers with financial need. One is for a fellowship in a writer’s community in SF, one is for a literary seminar and one is for an editorial services scholarship.
These feel different from regular submissions. Usually, I’m submitting a piece for judgment and the result is solely based upon the reaction to the piece. For these, I’m presenting myself. In addition to writing samples, I am putting together essays about me and why I’m a good poet to subsidize. Why I have potential, or why I am useful to the poetry world.
I had an incredible time at an open mic last Friday, and got asked to feature soon at another. I’m on a “high” that is probably fueled by a bit of hypomania, but I believe it is also genuine happiness about what being a poet means to me these days. These feelings are helping me take action on these scholarships.
Sometimes, my opinion of my work crashes and submitting things feels ridiculous. This appears to be pretty normal for writers. But when the opposite is happening–when I believe in myself and I’m excited about the things I am going to write–well, why not try?
Here’s one challenging thing about poetry readings: You have to pick something to read. Usually you have about two minutes at the mic. That’s enough to read one poem or perhaps two or three short ones. You don’t get to lay out your entire body of work like a huge tapestry to be admired.
Tomorrow there’s going to be a poetry reading at the gallery show that’s featuring pieces done on one of my poems. I am supposed to read that piece and one (repeat: one) other poem.
This is a special reading, and I want to do it justice. I’m working on a draft of something I think is appropriate, but if it is not done to my satisfaction by tomorrow which poem will I choose instead?
It feels like speed dating, or like a job interview with only one question. No piece could give a stranger a full sense of who I am as a poet. This is why doing a feature was so much fun, but it may be a long time before I get to do another one of those.
I have to accept that I can’t convey all I want to convey on any given occasion. I can only leave the impression of the pieces I am able to read.
Actually, that’s not the only impression I can leave. My presence leaves an impression: my voice, my expressions, and my body language speak to a discerning eye of who I am.
I got a rejection email this morning from an online journal. I’d sent them three poems and the editor is “sorry they will not be able to use them.” Oh, sweet rejection.
Why do I call this sweet? It’s simple. Getting a rejection letter means that I TRIED. I went through the footwork and submitted something. I put something out there.
I’ve been trying to get more comfortable using Submittable, the most popular submission software used by magazines’ websites. I’ve been trying to compile a more current list of publications I would like to explore. I’ve been trying to reach out on social media to more of the poets I have met at readings.
Doing something, no matter how small, in the category of advancing my writing gives me a welcome sense of accomplishment. Insecure as I am, I can say honestly say it doesn’t matter that this particular editor didn’t want them.
I can’t describe how hard it was to start sharing my poetry with others a couple of years ago. It has become easier and far more enjoyable with experience, but there are still times when stepping up to that mic or podium feels like opening the book of myself and inviting hordes of savage critics to have a go.
Now I get to take another step out of my comfort zone, thanks to a gallery show that accepted one of my poems. One or more artists did a piece about it, and my poem will be on the wall of the gallery with the pieces for nearly a month. On display. With my name on it. When I go to a gallery reception tomorrow, I’ll be introducing myself to people as my name and work are displayed on the wall.
This is such an honor (and it’s interesting to note how much I have been minimizing it when I talk about it to others, emphasizing that it’s a small show, etc.) While I work on overcoming my inertia and submitting more writing to publications, I get to have the experience of standing by my work in public.
It’s excruciating to have that one piece be the representation of me as a poet. It’s like sweating over which poem to read at an open mic, times a hundred.
It’s a wonderful problem to have.