Now That You Mention It…

The other day an old friend asked me about my writing. We hadn’t seen each other in many months, so a lot had happened. As you can imagine, I was off like a shot, talking about progress on the nonfiction book project.

“Sorry,” I said sheepishly, five or ten minutes later. “I’m going on and on, aren’t I? It’s just occupying a lot of my brain lately.”

She smiled. “No, it’s interesting.”

I believe it is interesting to her–but even if it weren’t, it would probably be hard not to at least start chattering about it. It runs so close to the surface these days. Last month I met a friend-of-a-friend at a party and ended up rhapsodizing at length. Again, he seemed interested, but was he just being polite? I can’t be sure; I’m biased.

Truth is, I don’t want to restrain my enthusiasm about my writing projects. I feel like they’re the most distinctive thing about me at this stage in my life. And they represent what I have to give in terms of outreach to the addiction and mental health communities.

So yeah, it’s going to come up when you talk to me for any length of time. It’s inevitable. Your only hope is to steer the conversation to specific topics and not ask open-ended questions.

The Deadly Reflex

Have you ever won something, or been chosen for something, and immediately started playing a negative tape in your head about it? Coming up with reasons it’s no big deal instead of just being happy and honored?

Two weeks ago I sent out a piece applying for a narrative writing workshop. I thought getting in was pretty unlikely, but decided to give it a shot. Well, I’m in.

Any bets on how many seconds it took that part of my brain to go from joy to rationalization?

They must not have received many submissions. The submission process was probably just a marketing ploy to make the workshop seem more exclusive and therefore more desirable. They’re really taking anyone who is willing to pay the fee.

It has to be something like that, right? Surely they couldn’t have really liked my writing and chosen it over some actual competition?

Yeah, I do this. When I won a couple of prizes in a local poetry contest last winter, I told myself the contest must have had very few entries. When I shared the happy news that one of my poems was accepted for a gallery show project, I always emphasized that it was a small gallery!

The weird thing is, not all of me is this way. I’m capable of the opposite. I can admit that I really like how I write; that I think it’s good. (And why not? Of course I like my own style, and work toward improving it in ways that make me like it even more. It’s mine.)

But that other voice is eager to chime in, and I need to recognize it. “Oh, you again. Hi. Uh-huh. Really. All right, you’ve had your say, now fuck off.”

We Shall See

Yesterday, I sent about 2500 words of my nonfiction project to be considered for a day-long workshop on personal narrative writing.

“Which piece should I send?” I asked an experienced writer who has heard many segments of the project. “Which works best as a stand-alone?”

“Doesn’t matter,” they replied. “You won’t get in.”

I was surprised, but not offended. I knew he wasn’t saying my work isn’t good. He likes my work (or he’s been doing a really good job of faking it.) He’s just of the opinion that my style doesn’t match what they are looking for, based on his perception of the people and publication behind the workshop.

I decided to give it a try anyway. Going through my binder, I considered and rejected many segments. From what I had heard, I had an impulse to choose one that included my time at MIT or some other attention-getting intellectual thing. But many of the segments don’t work well as a stand-alone, because they’re far along in the book.

In the end, I chose an early chapter. The protagonist is not at MIT, or studying to be a therapist, or having an edgy time in rehab. She’s a preadolescent torturing her toys. It’s often funny, sometimes sad, and very authentic. I like it. Don’t know if they will.

Raw

Don’t you hate it when you bite your nails late at night until they bleed? And tear bits of skin off around the nail beds, exposing raw red flesh? And it hurts, but only for a little bit, and you finally go to sleep. Then you wake up in the morning feeling as if your fingertips have been dipped in acid.

Washing your hands is excruciating. The thought of doing the dishes makes you want to cry. But the dishes don’t care. They sit there waiting. And you don’t live alone, so you can’t just let them pile up. And you think about asking someone else to do them, but you tell yourself you don’t deserve that kind of consideration, because you did this to yourself.

Then you try to put bandaids on all ten fingers so you won’t keep bumping the skinned flesh into things. Then you realize you need to wash your hands.

Then you sit down to work on a poem and can’t stop looking at your stubby, raw, red fingertips moving over the keyboard.

Oh….what’s that you say?

Not everybody does this?

Shit.

Where the Hell Have I Been?

…one might ask. Well, I’ve been writing like hell.

Just not here. Part of my brain seems to think writing sections of my book, or writing new poetry, means there is no time or juice left for updating this site. And that’s bullshit. It’s not as if doing a post takes me a long time; it just takes the willingness to sit down and write something about what’s going on in my head or my life right now.

The hardest part is picking out a subject from the thousands of possible ones. I’m seriously considering getting a jar with scraps of paper and pulling out a random one every day.

I’ve also been house hunting and moving. Yes, after seven years, my family is living in a house again. It’s not really any bigger than the apartment, but it has a little yard for the dog…and a room that has a corner that’s MINE with a DESK in it that belongs to ME and NOBODY else can put so much as a PENCIL on it or I will SMITE them like an Old Testament plague.

*insert maniacal laughter*

Pain 1, Me 0

Chronic pain sucks.

This week I am receiving a reminder of this. I did something to my back 8 days ago; thought it was no big deal at first but it got worse as the week went on. It’s been hurting at the level that used to be going on all the time for me.

I’m spoiled these days; often pain free with occasional flareups. I haven’t had one this bad in four years or more.

So right now I’m being reminded how much pain screws me up–and I’m getting to see how it screws up parts of myself necessary for writing.

One: Pain makes me afraid. I future trip like crazy–what if it doesn’t get better? When can I go back to my regular activities? How am I going to function when sometimes I can barely function without pain? Writing in a state of fear tends to be joyless and stripped of its usual juice.

Two: Pain makes me stupid. Even less sleep than usual, fatigue from stiff muscles; it all leaves me cloudy. Writing is slow and awkward.

Three: Pain triggers bad memories and cravings. Back pain will always be associated with the worst time of my addiction. The physical sensation triggers memories of standing in line, filling out forms, and talking to doctors in order to get more painkillers. Even though I know all that is in the past, my body isn’t sure. Writing is harder because it’s difficult to stay in the present.

Four: Pain ups my level of depression. Understandable. Limited mobility leads to boredom, which makes me more vulnerable to depressive content from my head. Writing is harder because the grayness of depression works against my creativity.

Five, and most dangerous of all: Pain makes me self-absorbed. I regress, as many in chronic pain do, to an ego state where I lose perspective and my pain becomes the center of the universe. Writing is hard because I lose touch with why I write.

I really hope this won’t last much longer. But if it does, I need to remember that the imperfect writing I can do in this state is still approximately ten thousand times better than a blank page. So what if it’s not quite up to my usual standards? That’s what editing is for.

Hurricane

“I’ll write my way out, write everything down far as I can see. I’ll write my way out, overwhelm them with honesty, this is the eye of the hurricane, this is the only way I can protect my legacy…”

So, my 18 year old daughter has infected me with the “Hamilton” virus. I’m not one of those lucky rich folks or lottery winners who have actually seen the play, but thanks to her I’m nearly letter and note perfect on the soundtrack.

The words above come from the song “Hurricane,” in which the Hamilton character recalls how his writing after a hurricane’s destruction helped him win support from the townspeople to get to New York and an education. Now he’s resolving to use his writing skill to find a way out of a scandal threatening his career.

At any rate, I think most writers identify with parts of this song. I certainly do. The power of writing, of storytelling, is sometimes the only power I think I have. Maybe some writers don’t feel this way; maybe they feel powerful and successful in other aspects of life too. But when we’ve failed at other things, when we’ve been to some dark places, we can start to believe that our creativity is the one power we possess that no one can take away and its products are the one unique thing we have to offer the world.

In the end, our best shot is to “overwhelm them with honesty.”