Too Little, Too Late

The phrase haunts me. Whenever I find a lump where a lump shouldn’t be, or even have a twinge of pain in an unfamiliar place, the fear comes up. I’m turning into a hypochondriac, and I don’t like it.

It’s not just that I am afraid of dying, although I am. It’s that part of me is still waiting for a judgment from the universe–a judgment saying I’ve had enough second chances. A judgment saying my current efforts are too little, too late.

I recently spent time with a fellow addict who is on dialysis. For three years, she tried to quit smoking in order to get on the list for a kidney transplant and could not do it. She finally succeeded—two months before a heart complication showed up and derailed the whole process. Too little, too late.

My blood sugars are lower than they’ve been in a long time–but with every exam I fear the onset of some complication born during the less controlled times. My weight is improving slowly from the place it reached last year–but with every sore knee or backache I fear that I’ll never dance again.

It all feeds into the roar from the ever-present peanut gallery that observes my efforts at writing: You’re too old! It’s too late! There’s not enough time left to accomplish anything that is worth doing!

Starburst

I now have THREE poems stuck in pre-draft limbo. One has been there for two days, one for two weeks, and one for at least a month. What is this thing in me that will not give me permission to sit down and hammer out a first draft?

Well, besides mental health issues and a lifetime of experience at self-sabotage.

In desperation, I did a starburst on one of them. It looked like this:

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The starburst is a brainstorming technique. You put a single image or word in the middle and start drawing associations; some will be important and some not.

My image for this poem has been clear from the beginning: a glass mug of hot water with a chamomile tea bag in it. Pale brown-gold threads are drifting out into the water as the tea starts to be absorbed.

The image, like many of those a poet chooses, is a tool for crystallizing a moment and the thoughts and feelings that went with it. The starburst helps me elucidate some of those.

I’d like to say that the starburst promptly galvanized me into action–well, not yet. But I know I’m closer, both because of such things and from having coffee with a fellow poet yesterday.

Fear Not?

I chose today’s piece because fear has been clamping down on my creativity lately. Just like any other emotional state, fear comes in both useful and useless varieties when it comes to writing–with the useless kind, my brain freezes or flees into escapist behaviors. So…

(Originally posted on my old page Not This Song, 2015)

How much does fear rule your life?

Those who do some kind of deep self-examination are often surprised to see how deeply, widely, and diversely fear is imbedded in their psyche. I don’t think I was surprised to find its presence in some deep places, but it was enlightening to see how much of my daily behavior is fueled by it on some level.

It’s hard to admit how afraid I am. It’s easy to buy into the idea of courage and strength being incompatible with the presence of great fear. It’s easy to forget how different we are from one another sometimes; that something only mildly frightening to one person may be a source of utter terror to someone else.

There’s an old story about two soldiers in a trench during World War I, waiting through the tense hours before a charge. One sits calmly, while the other paces incessantly, chain-smoking and talking nonstop. The calm one makes a disparaging remark about his nervous comrade, and the other replies: “My friend, if you were as afraid as I am, you would have run away a long time ago.”

I am afraid the way that soldier is. Too afraid to pretend not to be, too afraid to carry things off with style. I need to comfort myself with stories like this, becasue when I scratch the surface of my skin hard enough to penetrate the thin layers of maturity and faith I find a sea of fear. I think I need a hundred words for the many different varieties of fear, with their subtle shadings of meaning and manifestation.

If you’ve ever been afraid the way I am, you know that it doesn’t respond to logic. Oh, some fears do, or they can be soothed with emotional support, or by questioning them with cognitive-behavioral techniques. But there are kinds of fear so primitive, so nonverbal, so far beyond any mental construct that our attempts to soothe them feel like trying to send a T-rex to therapy.

One kind is what psychologists call “annihilation anxiety.” It’s what it sounds like: fear of utter destruction, unmaking, nothingness. Its roots lie very early in life–in the stage of complete dependence of an adult figure and the terror that losing said figure’s love would mean destruction–and it’s nonverbal and primal enough that sometimes I don’t even realize it’s come up until I’ve been reacting to it for days.

Primal fear comes up in our old baggage and in new baggage that got influenced by the old. It’s what is operating when we do things in our relationships that just don’t make sense; when our therapist and friends and whoever have a clear, obvious idea what should be done, who should be confronted, who should be left, but the thought of actually doing it is–well–unthinkable.

What to do about it? Oh, you already know what I’m going to say. There is no swift and logical cure for this kind of fear. There’s no cure at all–only the chance to go into remission. To fight the fear to a standstill and wait for it to get tired and take a break. But how to fight something you can’t see, or speak to, or argue with? Can a sword cut darkness?

No, it can’t. Nor can clever words convince it to retreat. There are only two things I can do: first, stop acting out in a futile attempt to drown the fear under more familiar pain. Then huddle close to the fire. Feed the fire, watch the fire, and don’t let it go out, and try not to think too hard about what will happen if it does. Feed the fire of my Self; yes, and the Self, whatever mystic force that is. Everything I am that is not nothingness. Everything I am, and was, and will be, that is the opposite of nothingness.

I’d Rather Kill An Antelope

(Originally posted on my old site Not This Song, 2013)

For a long time, I tried to pass for normal. By normal I mean my idea of what my normal should be, which many would call overachieving. I was gifted with some abilities and I had certain expectations about how they should be used. When I failed, or had a breakdown, or acted out with food or drugs to drown my symptoms or stifle the disconnect I felt from myself, I told myself that I would straighten out my problems and then I’d be able to succeed.

Eventually, over a period of years, I came to know and even to accept that there were some things about me that meant I needed to change my expectations. Part of it was accepting my mental health issues; part of it was just understanding my personality better. I tried to set new goals more tailored to my real self.

I’ll do or think just about anything to have a shot at feeling good about myself. On a very deep level, I believe I have to do or be something in particular to have earned a spot in this universe, and I try to convince myself that this is indeed happening. So, when I began to accept my differences, I tried to convince myself that those differences made me special. When I felt envy toward other mothers with clean houses and more organized lives, I dealt with my feelings of shame by embracing a sort of eccentric genius identity; someone above or beyond such mundane concerns. When I felt envy toward my former classmates who had great careers, I told myself that their lives must not be as psychically or spiritually rich as mine.

There’s nothing wrong with believing that I have something to offer because of and not just despite my differences. But it’s not right for me to use that idea to gloss over my responsibility to try to learn to cope with “normal” life as well as I can. It’s also not right for me to use this “weird equals special” idea to cover up the very real pain I have about the things I will always struggle with.

The truth is that there’s a part of me that will always long to be a relatively normal, functional person. The psychologist Marie-Louise Von Franz, one of Jung’s early students, wrote that in ancient tribes the boys who ended up being shamans were usually unsuited to be hunters. Many of them would have rather been a hunter; would rather have been the hero who brought down the biggest antelope at the hunt. The young man who stood proudly at the initiation rite, being welcomed into the ranks of adults and feeling the satisfaction of having provided a meal for the hungry. The guy who married the prettiest girl in the tribe, had eight children and became a respected elder. They’d rather have been that guy than the guy living in the isolated cave, playing with bones and having his entrails metaphysically scattered by jackals.

Even if I join the writers and poets and the other shamans of our time, there will always be a part of me that is sad not to be a hunter. That envies my husband’s ability to function at a corporate job without having to take anxiety attack restroom breaks every hour; that cringes in shame when I read about friends who are working for social justice. I am learning to function better, and I have hopes about being able to help and serve others better, especially the dual diagnosis community. But I feel like a shaman on a hunt: I might learn to hit a squirrel with my slingshot, but the antelopes are for the real hunters.

I know that being the shaman had many compensations, and I’ve tasted some of the wonders and beauties that may enter my life more and more. I might become a good shaman. I might serve the minds and souls of others. I even hope to become a voice that will help bridge the gaps in understanding between groups of people. But it’s important to admit that I wish I could also be a hunter; that I cry when I think about the problems in the world and all the work that needs to be done. My people are hungry; the shaman cries: they don’t care where my soul is traveling tonight. They just want to eat, and neither my passion nor my tears can feed them.

Laureate

Last night I went to a reading by California’s current Poet Laureate, Dana Giola. It was interesting to hear from someone who has had such a long and varied career–he’s a former chair of the National Endowment for the Arts, with an MBA and a PhD in literature. He has taught and promoted poetry education all over the state for years.

The contrast between seeing his poetry-as-my-career persona and the more intimate experience of hearing his poetry was fascinating. He, like many poets, writes of love, grief, communion with nature, and all of his human experiences. However polished and goal-oriented he may be in his endeavors, when it comes to his poems he is naked. And thank the gods for it–how else could I feel connected to him and keep any feelings of envy and inadequacy to a minimum?

Because (and this will be no shock to those who have read any of my writing) I do have these feelings. A career such as his is not achievable for me unless I invent a time machine and manage to get started writing well before my late forties. I must focus on what I can do in the time I have, and I must keep my eye on that which makes me want to write whether it leads anywhere or not.

Oak Tree Debate

Have you ever written a story specifically to help you with a poem? I have a poem that’s been incubating for a couple of months now. Like many, it started from an image and a thought, but it will not coalesce into a phrase that serves as a “hook” for the poem I want. So, as I talked about recently, I’ll write about this as prose and see if that begins to help the process.

The time: May, 2011. The place: a residential drug rehab center in Northern California.

The center was set in a lovely area, surrounded with picturesque roads (and, ironically enough, wineries.) The buildings of the center housed about forty addicts in various stages of detox and early recovery.

Once you were deemed past the worst early detox symptoms, you were allowed to leave the house and walk about the grounds. There was an open area, away from the main compound, with a single bench. The bench faced the largest oak tree I had ever seen in person. It was the only tree in the field, and seemed sentient when you looked at it long enough.

People were encouraged to spend time there, thinking deep thoughts. I didn’t need encouragement; it was a pleasure to get away from people for a little while.

So that’s the image: a huge oak tree, spreading its old and complex branch systems against the sky. The pattern of branches seen against morning sky, and midday sky, and evening sky.

Some people might have used the place for meditation, and some for prayer. I sucked at meditation, and while I had nothing against prayer I couldn’t concentrate on that either. My mind was occupied, more often than not, with what I later came to call the Oak Tree Debate.

The subject of the debate was simple: Did I want to live? And, even if I did, did I deserve to live?

The oak tree, it seemed to me, was my judge. It was the embodiment of all that was natural and true, while my drug-tainted, mentally ill and self-destructive presence felt like the embodiment of all that was not.

Even the bench I sat on felt soaked with pain and toxicity. I thought about all the addicts who had sat there for decades before me. Ashamed, grieving, belligerent or hopeless. I thought about how many came back to the bench more than once, having relapsed after weeks or months or years. I thought about what the oak tree might think of them, and of me.

The trouble with presenting a case to my arboreal judge was twofold: I was not competent to be the best advocate for myself at the time, and I did not speak the oak’s language. My case was inconsistent at best, and even if the oak did render a verdict I could not be certain of what it was.

In the end, I had to go from that place without a clear conclusion to the debate. It has continued, off and on, through years of recovery and treatment for my mental health issues. Perhaps it will never end–but when I can, I choose to imagine a verdict that tells me to keep going.

Just As I Am

Today I’m wrestling with a common question: go to a poetry reading or not? One of my favorite monthly ones is happening this afternoon, and I want to go–but I’m not having a good day.

Not having a good day, in this case, refers to my bipolar symptoms. The depression and disorientation are up for me right now, and it is hard to focus. When I am like this, I feel a bit alien and more socially awkward than usual. How much of this is my perception and how much actually affects others is hard to determine.

Would going to the reading do me good? Yes, almost certainly. It’s an opportunity to connect with the poet I am and disconnect from mundane worries.

So what’s trying to keep me away? Ego, of course. Not wanting to show my vulnerability. Wanting people to like me.

Let’s break it down, however. Some of my poems that touch people the most are my most unguarded ones; the ones that expose me. One of my favorite things to say to myself when I am blocked is “When all else fails, tell the truth.”

I’ve written it before, but for me it bears writing again: my best qualities come forth when I offer myself to the world, just as I am, and let others decide what to make of it.