We Shall See

Yesterday, I sent about 2500 words of my nonfiction project to be considered for a day-long workshop on personal narrative writing.

“Which piece should I send?” I asked an experienced writer who has heard many segments of the project. “Which works best as a stand-alone?”

“Doesn’t matter,” they replied. “You won’t get in.”

I was surprised, but not offended. I knew he wasn’t saying my work isn’t good. He likes my work (or he’s been doing a really good job of faking it.) He’s just of the opinion that my style doesn’t match what they are looking for, based on his perception of the people and publication behind the workshop.

I decided to give it a try anyway. Going through my binder, I considered and rejected many segments. From what I had heard, I had an impulse to choose one that included my time at MIT or some other attention-getting intellectual thing. But many of the segments don’t work well as a stand-alone, because they’re far along in the book.

In the end, I chose an early chapter. The protagonist is not at MIT, or studying to be a therapist, or having an edgy time in rehab. She’s a preadolescent torturing her toys. It’s often funny, sometimes sad, and very authentic. I like it. Don’t know if they will.

Raw

Don’t you hate it when you bite your nails late at night until they bleed? And tear bits of skin off around the nail beds, exposing raw red flesh? And it hurts, but only for a little bit, and you finally go to sleep. Then you wake up in the morning feeling as if your fingertips have been dipped in acid.

Washing your hands is excruciating. The thought of doing the dishes makes you want to cry. But the dishes don’t care. They sit there waiting. And you don’t live alone, so you can’t just let them pile up. And you think about asking someone else to do them, but you tell yourself you don’t deserve that kind of consideration, because you did this to yourself.

Then you try to put bandaids on all ten fingers so you won’t keep bumping the skinned flesh into things. Then you realize you need to wash your hands.

Then you sit down to work on a poem and can’t stop looking at your stubby, raw, red fingertips moving over the keyboard.

Oh….what’s that you say?

Not everybody does this?

Shit.

Where the Hell Have I Been?

…one might ask. Well, I’ve been writing like hell.

Just not here. Part of my brain seems to think writing sections of my book, or writing new poetry, means there is no time or juice left for updating this site. And that’s bullshit. It’s not as if doing a post takes me a long time; it just takes the willingness to sit down and write something about what’s going on in my head or my life right now.

The hardest part is picking out a subject from the thousands of possible ones. I’m seriously considering getting a jar with scraps of paper and pulling out a random one every day.

I’ve also been house hunting and moving. Yes, after seven years, my family is living in a house again. It’s not really any bigger than the apartment, but it has a little yard for the dog…and a room that has a corner that’s MINE with a DESK in it that belongs to ME and NOBODY else can put so much as a PENCIL on it or I will SMITE them like an Old Testament plague.

*insert maniacal laughter*

Pain 1, Me 0

Chronic pain sucks.

This week I am receiving a reminder of this. I did something to my back 8 days ago; thought it was no big deal at first but it got worse as the week went on. It’s been hurting at the level that used to be going on all the time for me.

I’m spoiled these days; often pain free with occasional flareups. I haven’t had one this bad in four years or more.

So right now I’m being reminded how much pain screws me up–and I’m getting to see how it screws up parts of myself necessary for writing.

One: Pain makes me afraid. I future trip like crazy–what if it doesn’t get better? When can I go back to my regular activities? How am I going to function when sometimes I can barely function without pain? Writing in a state of fear tends to be joyless and stripped of its usual juice.

Two: Pain makes me stupid. Even less sleep than usual, fatigue from stiff muscles; it all leaves me cloudy. Writing is slow and awkward.

Three: Pain triggers bad memories and cravings. Back pain will always be associated with the worst time of my addiction. The physical sensation triggers memories of standing in line, filling out forms, and talking to doctors in order to get more painkillers. Even though I know all that is in the past, my body isn’t sure. Writing is harder because it’s difficult to stay in the present.

Four: Pain ups my level of depression. Understandable. Limited mobility leads to boredom, which makes me more vulnerable to depressive content from my head. Writing is harder because the grayness of depression works against my creativity.

Five, and most dangerous of all: Pain makes me self-absorbed. I regress, as many in chronic pain do, to an ego state where I lose perspective and my pain becomes the center of the universe. Writing is hard because I lose touch with why I write.

I really hope this won’t last much longer. But if it does, I need to remember that the imperfect writing I can do in this state is still approximately ten thousand times better than a blank page. So what if it’s not quite up to my usual standards? That’s what editing is for.

Hurricane

“I’ll write my way out, write everything down far as I can see. I’ll write my way out, overwhelm them with honesty, this is the eye of the hurricane, this is the only way I can protect my legacy…”

So, my 18 year old daughter has infected me with the “Hamilton” virus. I’m not one of those lucky rich folks or lottery winners who have actually seen the play, but thanks to her I’m nearly letter and note perfect on the soundtrack.

The words above come from the song “Hurricane,” in which the Hamilton character recalls how his writing after a hurricane’s destruction helped him win support from the townspeople to get to New York and an education. Now he’s resolving to use his writing skill to find a way out of a scandal threatening his career.

At any rate, I think most writers identify with parts of this song. I certainly do. The power of writing, of storytelling, is sometimes the only power I think I have. Maybe some writers don’t feel this way; maybe they feel powerful and successful in other aspects of life too. But when we’ve failed at other things, when we’ve been to some dark places, we can start to believe that our creativity is the one power we possess that no one can take away and its products are the one unique thing we have to offer the world.

In the end, our best shot is to “overwhelm them with honesty.”

Raising the Stakes

When my drug addiction was at its worst, the stakes were life or death.

Many years later, the stakes are still life or death.

But it’s different too. Back then, in the state of despair I was in, losing my life felt like a numb inevitability. My major regrets about the idea had to do with how it would hurt the people I loved.

Now, I feel as if there’s a lot more to lose. Through a process that has taken years, I’ve come to value the things I do have to give. I feel at least somewhat useful to my family and even my community. I have things I value so highly, and so sharply, that the thought of losing them makes the idea of dying before my time suck. Especially my writing.

I’ve been clean for more than seven years now, but I recently had a couple of brief bouts with overeating after being relatively sane around food for the past 2 years. Each only lasted a day or two, thank goodness, but it was enough to remind me of the insanity it brings. One thing I really noticed was how frustrated I felt not to be able to write or even think effectively about writing. The obsession, the fear of gaining weight, the shame…they were all there, but there was also the sharp awareness of a wall the binge eating had put between me and my creative self.

I have a richer life now; a more precious life to be destroyed if I make the choice to use drugs again.

Writing Into the Void

So, about that voice in my head saying civilization is doomed and there is no point to me writing…

I’ve been writing a lot, both poetry and prose. My nonfiction book is beginning to take shape in my mind as the segments I write start to arrange themselves in order and bring ideas as to what should go between them. It’s raw, it’s real, and I genuinely believe it will be worth reading. My first full-length poetry collection is taking shape nicely as well…neither of these things will be done soon, but they have a new level of form and reality.

Then I hear the latest lecture on climate change and nihilism crashes into me. We’ll all be dead soon. No one will ever read my work and it wouldn’t do them any good if they did.

Granted, those thoughts belong to the extreme end of the spectrum…not everyone believes in the very short-term extinction of our species. What is certain is that change is here, much of which is irreversible. Life will get harder, conflicts over dwindling resources will grow, and catastrophic events will occur.

So is there a point to me writing about the subjects I do? Why try to help addicts, or the mentally ill, or both, when the larger world is in crisis? Why does it matter, in the quick or slow apocalypse, whether John Doe stays off drugs or out of the hospital?

I start to drown in these thoughts, and must return to my most basic principle:

It matters to me.

Even if it’s only about how present people get to be for whatever happens, it matters to me.

Being conscious and capable of love matters. Suffering and dying as a human rather than a numbed zombie or cornered animal matters. Being in the mix, a member of humanity, instead of watching from the sidelines, matters.